My next online class is in production, and I needed to film it against a background that was, well, that was not the lumpy 100-year-old wall of my tiny studio.
Pegboard to the rescue! Though it started out white, I wanted to give it a good coat of paint. So I lightly sanded the white surface, and dug up a leftover can of ceiling paint. Ceiling paint is great for filming against, because it’s about as matte as matte paint gets. Plus, it covers great and dries quickly!
Two coats later and it was ready to go.
Can you guess the topic of class? It’s on carving stamps for the very first time!
If you’ve wanted to learn how to make your own stamps – of anything at all, that you can use over and over again in all kinds of projects – and you want to learn and play in your own space at your own pace, sign up to be the first to hear when the class launches!
When my friend Lisa asked if I’d take a day-long bead-making workshop with her at the Terminal City Glass Co-op, I signed up without even reading the description of what we’d learn. I’ll sign up to try pretty much anything that requires protective gear, really.
I realized early on in the class that I’m going to have a complicated relationship with bead-making, because I’m not generally big on shiny things. Those beads in the photo above are samples our instructor had on hand. They’re amazing, hey?
Only thing is, I wouldn’t want them. You know? The complicated part, of course, is that making them is amazing. Which I discovered over the course of the day.
As anticipated, there was danger and intrigue, and protective eyewear.
(Yes, I was the one student in the class to burn herself. Go me!)
The setup was pretty awesome. Each student had a workstation around a huge metal table that sat under the biggest range hood I’ve ever seen.
Those colourful rods are glass. That’s what we melted to make beads. For real, it was incredible. And chemical!
Believe it or not, the burn did not happen while I was taking this photo with my left hand while I held glass to a blowtorch with my right.
That’s one of the first two beads I made. We all started working with black glass because, though you don’t see it here, it turns a very conspicuous red colour when it’s hot. Super easy to see what’s going on.
The metal rod that’s holding the bead is called a mandrel. Same idea as the thicker rods ring-makers use. The end is coated in dried clay slip, which, when washed away, leaves just enough wiggle room for the bead to come off the rod.
In addition to beads, we learned how to make thinner/finer rods of glass we can use to do detailed colourwork (like adding dots, etc.). We learned how to twist two colours together, too. I didn’t manage to do it right this time. ¯\_(ツ)_/¯
The beads needed to cure in a kiln for eight hours after the class ended, so I went back to the Co-op a couple of days later to pick up my beads.
First I had to soak the mandrels to loosen the slip enough that I could wash it away. Then I wiggled the beads loose, washed more slip away, and liberated those suckers from their metal prisons.
After that, I used a diamond-crusted tool to file more clay away from inside the bead holes.
Et voila! It’s almost impossible to think that this is the entirety of what I made during a seven-hour class. But I learned so much. Lisa and I will go back to the Co-op for sure (she already has, actually). This is not something I plan to ever do at home (OMG the safety precautions), and I’m so glad there’s a place where I can drop in on one of their two weekly Newbie Nights to see if I can’t make it to the point that I produce something even and lovely.
Have you ever made anything from glass? What do you do with what you make? Share links in the comments!
PS After the workshop, before I collapsed from exhaustion, I told the kid that I’d tried to make a heart-shaped bead, just for him, but that it came out looking more like a wonky apple. Still, when I showed him the beads, he claimed that one for himself. ❤️
The last time I was back east visiting my parents, my mom’s friend brought over a homemade loaf of bread. Round and crusty, it was absolutely perfect. Hearty, doughy but not dense. She raved about making it and sent me the recipe for Jim Lahey’s famous No-Knead Bread.
I already knew I have a thing for making bread, but until now I’d focused all of my efforts on challah. I love making challah, but I don’t make it as often as I’d like because it’s so time intensive. I have to plan my workday around making it (which I actually enjoy doing, but can’t always).
This no-knead bread, though? Sure, it requires a lot of time, but it’s almost entirely hands-off. I make the dough in the late afternoon, let it rise overnight, do the second rise first thing in the morning and bake it before I have to leave the house for the day. After the first time I made it, I ordered Lahey’s book, which includes instructions to make more than just this bread (though honestly, I don’t know why I’d ever want anything more than this bread).
I made four loaves in five days last week!
As far as I can tell, this approach is utterly fool-proof.
I’m becoming that crazy bread lady who hands a loaf of bread to people wherever I go.
When I decided to make a spiral the science-y part of my Science Hat design, I was thinking of the ferns. (Also the snails.)
This spring has been a total mess here in Vancouver – way too rainy, way too cold. (I was also motivated to demand climate-change action when I designed that hat, to be clear.) And I feel like maybe the ferns have unfurled a bit later than usual (but I honestly have no idea about this at all).
But unfurled they have! Which I discovered the other day while walking through the woods.
Last weekend I had the house all to myself for two days, and I decided it was finally time to try sewing with knit fabric on my regular sewing machine. I’d read that it can be done. I’d bought some fabric on sale over months and months. I’d bookmarked a class on CreativeBug, and had even, ages ago, printed out the pattern for the Wanderlust Tee.
To be clear, I have only ever sewn two garments in my life: a robe for my son a few years ago, and a very wee pair of baby pants. I’m no garment-sewing expert is what I’m saying.
And though I’ve had fabric and a pattern for a simple shirt for years, I eventually realized that what I wear are t-shirts. Every day I wear one! Which is why I never got around to making clothes for myself out of woven fabrics. High time to just see if I could make a t-shirt, then.
Here, I’ll skip right to the end: I made myself three shirts over the weekend. And most of a fourth!
I was not speedy. At times, it was very slow-going and very tedious. But with each successive shirt, I worked a bit faster. With each successive shirt, I became more confident that I will make more (many, many more).
Now. Usually knit fabrics are sewn with a serger, which is a fancy kind of sewing machine that finishes and trims the edges of the fabric as you sew. (Don’t think I’m not thinking of stalking Craigslist for one now that I’ve broken the shirt-making seal.)
I’d heard rumours, though, that it’s doable to sew knits on a regular sewing machine. In fact, I read quite a lot about this as I nurtured my fantasy of making my own clothes while not actually making any clothes.
And I’ll tell ya, the rumours are true! Sure, using a serger would probably make the process faster and less tedious, but it’s not a required tool. And since even entry-level sergers can set you back more than a couple hundred bucks, I hereby encourage you to give it a shot using your regular machine.
Here’s the skinny of what I learned during my weekend knits-sewing intensive:
What I Learned Sewing Knits for the First Time Using My Regular Sewing Machine
That cutting fabric around paper pattern pieces using a rotary cutter isn’t as terrifying as it looks when you’ve never done it before. Awkward? Certainly. But also efficient and satisfying. The very first shirt I made was the Wanderlust Tee by Fancy Tiger Crafts, and I followed their Creativebug class as I went. (The class gave me courage, but it wasn’t exactly filled with help. I still had to look up some things.)
A walking foot is essential. I learned how to use a walking foot when I made a quilt a couple of years ago, and I’d read they’re very helpful when sewing with knits, because knits have a tendency to stretch and distort when moving through a standard sewing machine. A walking foot has feed dogs that walk on top of the fabric, coordinated with the feed dogs that walk below the fabric, so the fabric is fed through the machine evenly at top and bottom. It’s well worth the $30 or so for a walking foot – I had zero trouble with my fabric stretching while I sewed, because it was fed evenly through my machine. (These contraptions are a bit more complicated than other kinds of presser feet, so I recommend looking for a tutorial specific to your sewing machine to see how to install it. It’s not hard to do, but it’s not necessarily clear how to do it without instructions.)
How to thread a twin needle (it’s not nearly as complicated as you might think!). A twin needle is exactly what it sounds like: two needles attached at a shaft so they fit into your machine just like a single needle does. And what they do is like magic! Each needle is threaded from its own spool, and when you sew, they create parallel lines of stitches on the right side, and a decorative configuration of stitches on the wrong side. If you position the needles on either side of the edge of a hem, they’ll tack down the edge on the wrong side. Even if you use a serger to sew knit pieces together, you’ll use a twin needle to finish the edges. The first few minutes of this YouTube video got me threading my twin needles lickety-split. (I still have no idea what she’s talking about re: putting one thread to the left of something-or-other and the other thread to the right. As far as I could tell, I can’t access whatever that thing is on my Elna machine, so I ignored that instruction. No big deal.)
How to sew with a twin needle. It’s tricky, but totally doable. I mean, the sewing itself is not tricky; it’s exactly the same as sewing with a single needle. What’s tricky is sewing a hem down with the right side of the fabric facing. Since you can’t actually see the edge of the hem, because it’s folded to the wrong side, this is an exercise in sewing by feel and having faith you measured properly. I know I rarely measure properly, so I had to focus hard on feeling for the hem edge. I bought both a 2mm and 4mm twin needle when I was preparing to sew with knits, not having any idea what the measurement was of. Turns out, that’s the measurement of the distance between the needles – so go for the biggest number you can find! I found 4mm a challenge, for sure, but I managed it. I sewed slowly and used my index fingers to keep track of the edge of the hem by feel. I was about 95% accurate, and I fudged the 5% where I missed the edge.
To use awesome fabric. This is a lesson I’ve learned over time with yarn – I used to be tempted to save my most gorgeous yarn for something special, and what ended up happening was that I’d never use it. How dumb! I always encourage beginner crocheters to choose yarn they love, even though what they’ll make with it will probably be a total disaster. Making total disasters is what beginners are supposed to do! Which makes those disasters absolutely perfect. And we should make them with materials we enjoy using. So for my shirts, I used fabric I’ve been hoarding for a while because I bought it on sale for someday-maybe. The first shirt I made this weekend (shown in the photo above) is far more cropped than anything I’d normally wear. But I only had one yard of that fabric, and I love that fabric, and it was exactly the right amount to make a cropped shirt. So I went for it. I knew I might mess it up and ruin the fabric I love so much, but I decided I would rather mess up with fabric I was excited about than end up with a perfect shirt I wouldn’t actually want to wear. So a cropped shirt I made. And I love it. My hems aren’t sewn straight (I never sew straight, so whatever), and the bottom is a little too wide, but I just love it. I wore it immediately, layered over a long tank top. Which is how I’ve become someone who wears a cropped shirt.
I made one Wanderlust Tee and almost three One Hour Tops. Had I realized how much simpler the One Hour Top is than the Tee, I would have started with it! But I’m glad I had the experience of sewing set-in sleeves. I wasn’t sure I was doing it right, but I did do it right! Still, the One Hour Tee is more my style, and I’m determined to make enough of them that I become able to actually make one in only an hour.
The neck band on the Wanderlust Tee utterly defeated me. I was completely unable to make it work. So I ditched it and just folded the neckline 1/2″ to the wrong side and finished it that way (same as the cuffs and hemline).
Always use a zig-zag stitch for sewing knit fabrics – it’ll allow the seams to stretch along with the fabric (and a straight stitch won’t).
Finishing the edges (sleeve cuffs, hemline, neckline) was the part I enjoyed least. Not because of the twin needle (which produces a stretchy stitch – don’t sew a zig-zag with a twin needle!). It was that pressing knits is a pain, especially with lighter-weight fabric. The crease you make isn’t nearly as distinct or persistent as it is when you use woven fabrics, and I found myself winging it more than I would have liked.
But who cares. Wing it!
When I posted a photo of my first tee over on Instagram, I asked which t-shirt patterns people love. Here are the recommendations commenters made:
I don’t know about you, but my creative spaces – both in my house and in my brain – are a total disaster these days. Time for some serious spring cleaning!
Starting today, and continuing every Monday and Thursday for a few weeks, join me over on Patreon for a simple yet grand adventure to get these physical and figurative creative spaces into shape so they can help us have the be our best creative selves.
We’ve had a very grey, very rainy (record-breaking rainy!) spring so far here in Vancouver, and it’s seriously getting people down. Me included.
So when the sun came out this morning, I made the very most of it. I took the longer route home through the woods after walking my kid to school. I ran an errand at Granville Island. I stopped at the beach on my way home.
The cherry blossoms started blooming over a week ago, and I was so grateful for this first glimpse of them against a clear blue sky.
In this first episode of Compulsory in two years (two years!), we return to our roots with an honest conversation with quilter Cheryl Arkison about the power of habit in creative life, and about embracing the mess of, well, pretty much everything.
If stripes are the simplest way to play with colour in a crochet project, then creating a striped project in the round that begins with a nifty spiral is the best next step.
It might be a little mind-bendy to think about it, but once you make your first spiral, it'll make perfect sense and become something you'll hopefully do again and again to spruce up any simple project in the round.
Here's what you need:
2 colours of yarn in the same weight; consider one colour A and the other B (shown here is Cascade 220; blue is A and green is B)
a hook the right size for your yarn
a removable stitch marker
With colour A, begin with an adjustable ring. Here's how:
Step 2: Round 1, First Half
Insert your hook into the ring and pull up a loop, chain 1.
If you're working in single crochet: Make six sc into the ring.
If you're working in a taller stitch, start with single crochet and gradually increase in height as follows:
For half double crochet: Make 3 sc, 3 hdc into the ring.
For double crochet (shown in example here): Make 2 sc, 2 hdc, 2 dc into ring.
For all stitches: Finally, remove your hook and pull up your working loop to prevent unraveling (see photo above).
Step 3: Round 1, Second Half
Join yarn B as follows: Leaving a 6" (15 cm) tail, insert your hook into the centre of the ring and pull up a loop of B, chain 1.
If you're working in single crochet: Make six sc into the ring.
For half double crochet (shown in example here): Make 3 sc, 3 hdc into the ring.
For double crochet: Make 2 sc, 2 hdc, 2 dc into ring.
For all stitches: Finally, place marker in last stitch made to indicate the end of the round; remove your hook and pull up the working loop to prevent unraveling (see photo above).
This completes the first round. Next, you'll tighten up the ring, then move on to establish the striping pattern.
Step 4: Tighten the Adjustable Ring
As shown in the video above, firmly pull or tug on the tail of the ring to close it up entirely. There should be no visible hole in the centre, as in the photo above.
Now we're ready for Round 2.
Step 5: Round 2 and Establishing the Striping Pattern
Just as in any project in the round, we begin increasing here. Because we began with a total of 12 stitches in Round 1, we'll be adding 12 stitches in total to each subsequent round – we'll increase by 6 stitches in each colour.
Insert your hook back into the last stitch of Round 1 (this is in colour B).
In this example, B is to be worked in half double crochet (hdc). If you're working in a different stitch, just substitute that one.
Continuing with B, [2 hdc in next stitch] 6 times, remove hook and pull the working loop long so it doesn't unravel.
In this example, A is to be worked in double crochet (dc). If you're using a different stitch, just substitute that one.
Reinsert your hook in the working loop of A. With A, [2 dc in next stitch] 6 times.
You now have a total of 24 stitches at the end of the round – 12 in B and 12 in A (see photo, above.
The striping pattern has been set up: You will always work B into A, and A into B.
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Step 6: Continue in Pattern as Established
There are two patterns you've established, of course: the increasing pattern (adding 12 stitches to each round; 6 in each colour), and the striping pattern (always working B into A and A into B).
As you continue, you'll keep at both patterns until, if you're making a hat or a bowl or something else that's 3-D, you stop increasing so that your circle will begin to cup into the proper shape. When it's time for that, simply maintain the striping pattern without increasing anymore.
Here's what Round 3 will look like: Continuing with A, [dc in next stitch, 2 dc in next stitch] 3 times; remove hook and reinsert in loop of B; with B, [hdc in next stitch, 2 hdc in next stitch] 3 times — 36 stitches total.
And there you have it! A two-colour crocheted spiral.