I have never been excited about a new class like I’m excited about this one! Zigzag Crochet: A Beginner’s Guide to Ripples & Waves is all about my absolute favourite kind of project to crochet. (Uh, obviously, zigzags, ripples, waves, chevrons – whatever you call them.) Come learn how to bend stripes into cool shapes, from spiky chevrons to gentle waves. With texture or lace, and always with colour!
To celebrate the launch of the class, I’m giving away three seats in it!
I designed the class around a baby-blanket pattern made in machine-washable yarn (as every baby blanket should be), and I walk you through the project from beginning to end.
There’s loads more in class, too! Learn how to use a zigzag pattern to make a project of any size, from a scarf to a king-size blanket. Explore how yarn weight and gauge affect the size of your projects, play with loads of colour, and learn how to handle all the pesky ends you have to deal with when you work in stripes. Discover how to make a wide variety of patterns, including the feather and fan pattern I’m using to make this epic scarf, and learn how to introduce variations into patterns so you can alter the way they look.
I put together this double crochet tutorial about a decade ago – hence the delightfully dated "fail" and "win" terminology. FTW! But man, the photos are clear, so I thought I'd republish it here on the blog.
The single most common question I get from my beginner students is why their double crochet swatch ends up looking like a trapezoid when they're trying to make a rectangle. The answer is that double crochet can be a total pain in the butt, because the first and last stitches of a row can be confusing to place when you're still learning the basics.
So here's a step-by-step tutorial with photos showing each of the confusing bits and walking you through where to place the last and first double crochets so your edges turn out straight and tidy, and you maintain a rectangle shape because you're keeping the same number of stitches in each row.
CLICK HERE TO GET MY CHEATSHEET: 7 WAYS TO MAKE YOUR CROCHET SHINE!
Where to Make the Last Double Crochet of a Row
Image 1: Here’s what it looks like as you approach the end of a row of double crochet. I’ve circled the tops of the stitches from the previous row that remain to be worked. It’s very, very common for beginners not to work a stitch in the top of the turning chain from the previous row. So in the circle are the final double crochet (rightmost in the circle) and, to the left of it at the end, the top of the turning chain.
Image 2: The arrow is keeping track of the turning chain, and I’m inserting my hook into the next double crochet.
Image 3: I’ve pulled up a loop in the double crochet. The arrow is still indicating the top of the turning chain.
Image 4: I’ve finished the stitch and the arrow is still pointing to the top of the turning chain. See how easy it would be to skip it? After all, it sort of looks like the edge could straighten out after a little tugging. Alas, though, it won’t.
Image 5: Ok, no more arrow. Here I’m about to insert my hook in the top of the turning chain. By “top of the turning chain,” I mean the topmost of the three chains. Notice how I’m using the fingers of my other hand to open that sucker up. It can be tight and/or awkward to shove your hook in there, but persistence pays. Your crochet is not precious – you won't break it if you tug.
Image 6: I’ve pulled up a loop in the top of the turning chain. It’s pretty apparent now that we need to work a stitch here to make the edge straight, eh?
Image 7: Here’s the completed final stitch of the row. There’s nothing to the left of it to stick my hook in, so I’m confident it really is the end of the row.
Image 8: Now we say to “turn your work.” This means to flip it around so your hook is poised to start the next row (in these photos I’m working right-handed, so at the beginning of a row my hook is on the right. If you’re a lefty and you crochet left-handed [hey, not all lefties do!], your hook is on the left at the beginning of a row).
Where to Make the First Double Crochet of a Row
Image 9: Make 3 chains. This is the “turning chain,” which serves the purpose of raising the hook to the height of the stitches you’ll be making. Since double crochet is a fairly tall stitch, most patterns say to “count the turning chain as the first stitch of the row.” This is because that turning chain takes up about as much space as a double crochet. Since we’re counting it as the first stitch, we work the first actual double crochet into the second stitch of the row, not the first. (If we work it into the first stitch, the edge will bulge out and look wonky.) The arrow is keeping track of that first stitch that we’re going to skip before making the first double crochet.
Image 10: This might be a confusing photo because of how the stitches move around with my hook. If it is, ignore it. What it shows is that I’m inserting my hook in the second stitch, and the arrow is pointing to the skipped first stitch.
Image 11: Ok, this is better. Here I’ve pulled up a loop for the double crochet, and the arrow is pointing to the first stitch, which I did not insert my hook into. At the very right, you can pick out the chains of the turning chain; see how they’re pretty much rising from that first stitch? That’s why we skip it before working the first double crochet.
Image 12: I’ve completed the double crochet and the arrow is still indicating the first stitch from the previous row. So even though I’ve only worked one double crochet, you can see it looks like we actually have two stitches in the row so far. This is why we count the turning chain as a full-on stitch. Now you just keep crocheting across the row, and make sure you work the last double crochet into the top of the turning chain.
I was at Craftsy HQ in Denver last week, filming a new crochet class. It’s such an odd, kind of surreal feeling to discover I’ve become comfortable on a film set. And even weirder to realize that filming classes is one of my favourite kinds of work to do. In no other manner could I have the chance to teach over 40,000 students how to crochet. Seriously, that’s how many students I’ve taught through my Craftsy classes. What a privilege!
It’ll be a few weeks before this new class comes out. I posted some slideshow updates from the set when I was there, which I’ve included below. Can you guess what the new class is about?
Though I haven’t publicly documented my daily makes since the end of that year, I’ve continued to practice the habit I formed. Every day, even for just a couple of minutes, I make something. Some days it’s a few stitches on a knitting project, others it’s several rows on a crocheted blanket. Over the years, in part motivated by my decision to prioritize creating on a daily basis, I’ve learned how to bake bread, how to make soap and lotion from scratch, how to carve stamps. I’ve sewn blankets and curtains and pouches and bags. I’ve made some clothes, some gifts and lots of (admittedly mediocre) food.
But more important than any project finished or skill honed, through Year of Making I’ve put creative adventuring at the centre of my daily life. By chronicling my efforts in 2014, and using that public accountability to help me stick to my commitment, I went from having to work hard to find time and space for creative projects to having that time and space simply be a part of how I approach my every day.
As I tried to find space to wind down 2017 by looking back and peeking ahead, I realized that I’ve started taking my creative habit for granted. It’s become such a normal part of my life that I’m no longer using it as a way to seek out adventure, but rather as a way to continue with a status quo. I could use some more adventuring, though.
So in 2018, I’m going to again try to document my making every day.
The big difference this time around is that I already have the habit, but I’m also now working a day job. So though creating daily has become as routine as showering and eating, my ability to create adventure is affected by my being outside of my house for nearly nine hours every day. Which means the nature of my making may change, and the kind of adventures I find exciting may be affected, too.
In any case, I think sharing my daily efforts will help me keep this priority front and centre in my life. And, obviously, this will be way more fun if we do it together.
Join Me in a Year of Making in 2018!
If you’ve done a daily making project at some point – or ongoing – over the years, please join me again!
If you’ve never done something like this, then consider this your friendly invitation to create a stress-free daily creative habit.
The stress-free part comes because there are no rules other than to spend at least a minute or two every day making something. You don’t need to finish anything (though of course you’re welcome to), you don’t need to declare major goals to reach. In other words, there’s very little room for failure here. If you find yourself bed-ridden with a terrible flu, skip that day. It’s okay! There’s no judgment here, and there’s especially no pressure to declare a year-long project a failure because of one or two missed days. What a shame that would be!
To sum up, here’s what a Year of Making entails:
Commit to making something – anything – even just for a few minutes, every single day for a year. (You get to decide what “making” is. Does mac and cheese from a box count? Up to you!) (If you aren’t reading this on January 1st, who cares? A year is a year no matter when you begin – so just begin!)
That’s it 👆.
Use the hashtag #yearofmaking2018 when you post about your progress. Especially if you’re just starting out, I encourage you to post every single day – even if your photo is blurry or poorly lit or your cat photobombs it. This is key to participating with everyone else – this is where you’ll find your cheering section, your gentle nudging, your partners in creative adventuring.
If you share on Instagram – which, in my opinion, is a fabulous place to share a daily photo – you can now follow hashtags in addition to people. When you open this link in the app on your phone, you’ll see an option to follow the hashtag (this doesn’t seem to appear as an option yet if you open the link in a browser). (I’m on there, too, obviously!)
Join the Group
Though I’m a huge fan of publicly chronicling creative experiments, I also know that it can be incredibly liberating to share only in small places where I know I can feel safe and confident that people will be above-and-beyond supportive.
A grand gathering of fellow adventurers has formed over in myFacebook group, and I hope you’ll join us there for sharing, for asking, for musing aloud, for celebrating and, when needed, for commiserating.
Just click the button to join and I’ll approve your request ASAP.
If you think a more directed approach will help you get going, the Daily Making Jumpstart will nudge you through a couple of weeks of daily activities to get your creative juices flowing. (The Jumpstart includes the Year of Making ebook, too, so you’ll get both the nudging and the worksheets.) Sign up here!
The Point Is Zero Stress
Daily projects are a huge commitment, and it’s really easy for them to feel like an exercise in failure rather than an adventure of growth and exploration.
The thing that makes a Year of Making so amazing is that even though it’s a pretty daunting commitment – to do something every day for a year – the bar is set really low, and you (not me! not anyone else!) are in charge of what counts.
I can tell you for certain, after completing four Years of Making, that if you’re kind to yourself, if you set yourself up to succeed and let yourself off the hook when you need to, the reward will be the deep and lasting satisfaction of looking back at the end of the year and seeing how much you can accomplish in teeny tiny steps. Better yet if you’ve made friends in the process.
I have a weird love of year-end lists. I don’t know what it is about them that makes me so happy, but they’re just so desperately satisfying. Mmm.
This list isn’t of books that came out this year (with one or two exceptions), but rather of books I loved reading in 2017. I had a pretty odd year, and lost my reading mojo for a fair chunk of it, so the vast majority of books I loved were ones I read aloud with my six-year-old (he loved these, too). And now that he’s reading on his own, I’ve included some that he loved reading solo as well.
Adult Books I Loved
American War, by Omar El Akkad. I’ve recommended this book more than any other I’ve read in the last few years. It got stuck deep down in my brain, and I thought about it for weeks after finishing it. It’s timely, and well crafted, and smart.
My Bread, by Jim Lahey. This was the year I got into making bread, starting with Lahey’s perfect, simple no-knead recipe.
Vegan Richa’s Indian Kitchen, by Richa Hingle. We aren’t vegan, but amongst us we have a variety of food restrictions that leads us to mostly cook non-dairy, and I’ve long been what I like to call a lapsed vegetarian. This book is a gem.
The Sisters Grimm, by Michael Buckley. The kid picked this one off a shelf at the bookstore based on its cover, and we loved it. We just found the next two books in the series at his school’s used book sale, and I’m excited to read them with him in the coming year.
The Penderwicks, by Jeanne Birdsall. I didn’t know this was the first in a series when we picked this book up. It was so thoroughly enjoyable, and so cozy to read curled up together, that I’ll insist we read another one next summer (summer, it must be!).
The Contract, by Derek Jeter. My baseball-obsessed kid has demanded we read many a mediocre baseball novel, and I admit I was not very confident about this one, about Jeter, the former Yankees captain, when he was a kid. I’m pleased to say I was not only pleasantly surprised, I absolutely loved this book (and the others in the series so far), and of course the kid did, too. They’re full of Grand Life Lessons but aren’t at all preachy. And since we already know that as an adult, Jeter does indeed fulfill his childhood dream of playing for the Yankees and indeed becomes one of the most celebrated short stops in baseball history, those lessons seem even more impactful.
The Bad Beginning (A Series of Unfortunate Events), by Lemony Snicket. We’ve been babysitting a dear friend’s hardcover collection of this series, and though I’ve never read it, I started to suspect the kid would be ready for it. Ready is an understatement. He’s absolutely riveted by the literal series of unfortunate events the three Baudelaire children endure. I admit I’m quite pleased to see he shares his mother’s appreciation for dark stories. (Next year, look for some Neil Gaiman on this list…)
Harry Potter and the Chamber of Secrets: The Illustrated Edition, by J.K. Rowling and artist Jim Kay. We continued the tradition we began on the kid’s fifth birthday, giving him the newest illustrated Harry Potter book (this year the second book for his sixth birthday; and yes, we have the third book wrapped to give him on his seventh at the very end of the year). Not only does this schedule allow us to progress through the books slowly, which I’m keen to do because they start to get more intense after the third, it also forces us to enjoy the series over years and years. Not that we wouldn’t anyway; I’ve no doubt he’ll read these books over and over throughout his life, as I have (well, throughout my adult life, that is).
Jim Nasium is a Strikeout King, by Marty McKnight. This one was a gift from my in-laws, and the kid was delighted by it. Interestingly, he had his first experience putting down a book when he just couldn’t get into Jim Nasium Is a Soccer Goofball. I had to assure him it’s okay to put down a book unfinished (see the section of books I loved, above, for an idea of how many books I started this year but didn’t get through – this is my shortest-ever list of loved books.)
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I used a 6mm needle for my mostly worsted weight yarn, and knitted the shawl in fits and starts over about a month. I had more than enough yarn to work the called-for number of repeats for the pattern, so I kept going, and then I worked a larger-than-called for garter edging before working the picot bind-off.
Of course, I managed to work one too many rows of garter stitch before binding off, and it became clear to me before I was halfway through the picots that there was no way I’d have enough yarn to keep those going. Rather than undoing the bind-off, I just… stopped making the picots. And managed to get to the end with about 5″ of yarn to spare. The shawl’s for me, so who cares if it has only almost half the picots it should have?
When I laid the shawl out to block, I discovered another shining error that I quickly embraced: Somewhere along the line, I misplaced the centre stitch, so the spine of increases veers off to one side after a few repeats. Ah well. You totally can’t tell when I’m wearing it.
So… The shawl is fairly dramatically more imperfect than the imperfection I usually embrace in projects like these, but I love it anyway, and have worn it every day since it dried.
I’m in the midst of a few months of restricted activity due to some medical shenanigans, and my first question I asked after my doctor told me I need to avoid cardio exercise and lifting more than a grocery bag was, “Can I go for walks? Like, for an hour? Or more?”
Thankfully, his answer was yes. I can walk for as long as I’d like.
Since I got into the habit of running this fall, training for a 5k, one of the things I knew might happen but still delighted me when it did was that I’d come to rely on my runs for my mental health. That hour spent purely in pursuit of a made-up goal became an unexpected highlight of my day. Three or four times a week, I got up and out, and it made everything better. My mind felt clearer, my body felt stronger.
Being forced to take it easy is frustrating and disappointing, especially because I was this close to being ready for the 5k.
But at least I can take long walks. And so I have been, every day.
I walk by myself, but I see these walks as being as important to my general life as artist Austin Kleon describes the walks he takes with his family every morning. (I also can’t make it to Creative Mornings – the talks happen too early to accommodate dropping my kid off at school.)
Not only will my body heal while I stroll around the woods and my neighbourhood, my mind will stay healthy, too.
Just in time for Halloween (or, you know, any kind of occasion that calls for some spooky fun), here's a super simple stamp project.
I carved some ghastly stamps and used them on small paper bags I'll fill with treats for my kid's friends for Halloween, but you could just as easily use them on cards, banners, posters, or any other kind of decoration.
Get the free halloween stamp template!
What You Need
Here's everything you need to make Halloween treat bags (obviously, sub out the bags for an appropriate printing surface if you're making cards or banners instead!)
Optional: Gel pens or other kinds of markers for embellishing after you've stamped
Make sure you stamp the area of the bag that will be visible once the bag is full and the top is folded over.
Keep in mind that the folds and seams of the bag will affect how the stamp applies the ink. Embrace the tiny imperfections!
Not all light-coloured inks will show up well on dark paper – be sure to read ink labels carefully, and experiment.
These stamps are cute on their own, if I do say so myself, but I love them even more when I use them as a starting point. In the photo at the top of the post, you can see how much more awesome the bags look with a little bit of gel pen and marker thrown into the mix.
At Knit City a couple of weeks ago, I tried on the Veronika Cardigan and immediately fell in love. I’m not usually keen to knit garments, but I was powerless against this one.
I knew I had enough yarn of one kind or another at home to make it, so I bought the pattern and dug out my Rubbermaid. In it, I found this gorgeous navy yarn I bought a million years ago – maybe at my very first Rhinebeck?
It was intended to become a sweater for my husband, but I didn’t buy enough yardage and the yarn has been sitting in this bin for over a decade. To be honest, as the yarn is unlabeled it’s entirely possible I don’t have enough to make this sweater, either. But I’ll cross that bridge when I come to it.
The yarn is perfect for Veronika. The stitches are flying off my needles, and this project has been my constant companion, in addition to my kid, as the Yankees have progressed in post-season baseball.
My kid had a big growth spurt this past summer, and by the end of it, most of his pajama pants fit him more like capris. (Or, as we like to call capris in our family: shpants.)
As we went through his outgrown pajamas and made a pile to donate, he grabbed one pair of pants and announced he loved them so much he didn’t want to give them away – he wanted to make a pillow out of them.
(At some point when he was a toddler, we made a pillow out of a shirt. I don’t remember the project, and I don’t think we even have it anymore, but it’s stuck in his head that we make pillows out of old clothes we love, and I love this idea so, so much.) (Also, I have a growing pile of his old clothes I want to make a quilt out of someday.)
So here’s what we did:
First, Cut Off a Leg
Since these pants were made from a stretchy knit fabric, I held them taught while my son wielded my fabric scissors. We cut the leg off as near to the crotch of the pants as possible, to make for the longest/biggest pillow. We also cut the elastic off the cuff, at the ankle.
(I took this photo later on in the process [scroll down for notes on adding an appliqué], but below you can see one of the cut-up ends of the pant leg.)
Next, Sew Up One End
We could have simply sewed the ankle end shut, but it was way more fun for the kid to decide on a design for felt scales to sew in there, too. So he took a sharpie to some felt, then he got frustrated trying to cut felt with safety scissors and my fabric scissors were too big for him to use for detail cutting. So I cut out the design.
Then I sandwiched the felt inside the ankle end of the pants leg, threaded some embroidery floss onto a sharp embroidery needle, and taught the kid how to sew a running stitch through the three layers of fabric.
You might think a running stitch – and not a terribly tightly sewn one – wouldn’t be appropriate for eventually keeping stuffing from coming out of the pillow, but (spoiler) it’s worked great.
Maybe, If You Want, Make an Appliqué
The kid didn’t particularly want to make this pillow into a monster, but when I suggested he could cut out a shape of felt and decorate it however he wanted, he decided that would be a grand thing to do. He drew a big triangle, I helped him cut it out (mental note to get him scissors that are sharp enough for cutting felt or fabric), then he took a Sharpie to it.
At this point, he’d lost interest in the slow part of hand-sewing, and he expressed zero desire to sew the appliqué on. No big. I sewed it on, for I love the slow part of hand-sewing. While I did this, he went outside and tossed a baseball against a net.
Now Stuff It
We used basic poly-fil as stuffing. You could, alternatively, use scrap fabric or yarn, or a mixture of scraps and poly-fil, for a more eco-friendly (though lumpier) stuffing. (I love eco-friendly lumpy stuffings, FWIW.)
Use as much or as little stuffing as you or your small friend wants.
Finally, Sew Up the Other End
We again cut out some felt humps to sew into the second and final seam at the crotch end of the pant leg.
Because of the stuffing, I used pins to keep things together, with the humps sandwiched between the halves of pant leg as for the ankle end.
The kid did the sewing after I got it started, and I held things together for him as he went, obviously removing pins as he progressed.
And there you have it: a pillow made out of old, outgrown pajama pants!
The kid’s slept with it in his bed every night since we made it.
What do you do with outgrown-but-beloved clothes?
PS You can see bits of a book in some of these photos. It’s a great book called Sewing School: 21 Sewing Projects Kids Will Love to Make, by Andria Lisle and Amie Petronis Plumley. We didn’t follow instructions from the book to make the pillow, but even starting from a place of the kid flipping through and saying he didn’t like any of the projects for pillows was a great launching point for figuring out what he did want to make. And the book assured me running stitch was a totally age-appropriate skill to teach him. Also, I love this book because the projects are made by actual kids – there is zero room for comparing what you or your kid makes against any sort of “perfection”. It’s all gloriously age-appropriate. And therefore absolutely what it should be!